Dastgâh-e Shur in Pish-Radif

– In the following table, all the Dângs and Pângs of the open Gushehs in Dastgâh-e Shur are notated.
– Each of the Dângs and Pângs are played on Târ.
– In some Gushehs we go to higher notes during the descending movement (Forud) which are not considered as part of the Dâng or Pâng of that Gusheh.
Pish-Radif includes all the open Gushehs of each Dastgâh and Âvâz, while each lesson is only based on one closed Gusheh which is introducing all the musical atmospheres of all the open Gushehs as one of the eleven lessons of Pish-Radif.

Legend:
S = Not-e Shâhed (Central note)
I = Not-e Ist (Final note)
IM = Not-e Ist-e Movaghat (Temporary final note)
In some cases, one note is used as S and I

Dastgâh-e Shur in Three Different Vocal Radifs

– In the following tables, we have all the open and closed Gushehs from three vocal Radifs of three master musicians, Hassan Kassâie, Mahmoud Karimi and Abdollah Davâmi.
– In different Radifs, there may be more than one Darâmad and most of the times, they are labeled as first, second, etc., But sometimes based on the melodic contour of them, they adopt a new name or an adjective that refers to their relative Gusheh.

Notes:
– The second open Gusheh in Dastgâh-e Shur after Darâmad is called Rohâb, Rahâb or Rahâvi. In some Radifs, it’s called Darâmad-e Rahâvi. The reason might be the close interval between the Not-e Shâhed of Darâmad and Not-e Shâhed of Rohâb which is 3/4 tone and is the smallest interval between two Not-e Shâheds in classical Persian music!
– In the Radif of Kassâie Darâmad Rahâb is a Darâmad and the Not-e Shâhed is the first Not-e Shâhed of Dastgâh-e Shur, not the second one.
Hadâvandi in the Radif of Kassâie is called Azarbâijâni in his other versions of Radif recorded later.
Kereshemeh in these three Radifs is performed with this poetic rhythm:
Ta Tan Ta Tan / Ta Ta Tan Tan / Ta Tan Ta Tan / Ta Ta Tan
But it could be performed with two other versions of this poetic rhythm such as:
Ta Tan Ta Tan / Ta Ta Tan Tan / Ta Tan Ta Tan / Tan Tan
or
Ta Tan Ta Tan / Ta Ta Tan Tan / Ta Tan Ta Tan / Ta Ta Tan Tan
Salmak, Shahnâz, and Odj are three different names of three different versions of a Gusheh in Shur which its Not-e Shâhed is the fourth of Not-e Shâhed of Darâmad. We must study this Gusheh in each Radif separately to see what are the differences between these different versions under the different names in each Radif.

Open Gushehs of Dastgâh-e Shur

Pish-Radif
9 Gushehs
Radif-e Ney of
Kassâie
6 Gushehs
Vocal Radif of Kassâie
7 Gushehs
Radif of Karimi
6 Gushehs
Radif of Davâmi
Tar M.R. Lotfi
6 Gushehs
Darâmad Darâmad Rahâb
……………………………. Second Darâmad
Darâmad (Rohâb)
…………………………….
Rahâvi
Rahâvi
Rahâvi
Darâmad (Bayât-e Tork) ……………………………. …………………………….
Odj ……………………………. Salmak
Gharacheh
Razavi
Hosseini ……………………………. ……………………………. Ozâl & Hosseini
Odj-e Hosseini
Salmak Nahoft, Salmak
Closed Gushehs and Their Poetic Rhythms of Dastgâh-e Shur

Pish-Radif
1 Gusheh
Radif-e Ney of
Kassâie
19 Gushehs
Vocal Radif of Kassâie
8 Gushehs
Radif of Karimi
9 Gushehs
Radif of Davâmi
Tar M.R. Lotfi
4 Gushehs
Hadâvandi
Tan Ta Ta Tan /
Tan Ta Tan (2x)

Hadâvandi
Tan Ta Ta Tan /
Tan Ta Tan (2x)

……………………………. …………………………….
……………………………. ……………………………. Darâmad-e Khârâ
Traditional Melodic Pattern
Darâmad-e Khârâ
Traditional Melodic Pattern
Molânâzi
Kereshmeh
Ta Tan Ta Tan / Ta Ta Tan Tan /
Ta Tan Ta Tan / Ta Ta Tan

Kereshmeh
Ta Tan Ta Tan / Ta Ta Tan Tan /
Ta Tan Ta Tan / Ta Ta Tan

Kereshmeh
Ta Tan Ta Tan / Ta Ta Tan Tan /
Ta Tan Ta Tan / Ta Ta Tan

Kereshmeh
Ta Tan Ta Tan / Ta Ta Tan Tan /
Ta Tan Ta Tan / Ta Ta Tan

Delnavâz-e Shur

Chahârpâreh or Chahârbâgh

Azarbâyjâni

Râmkelli

Gereyli
Ta Tan Tan Tan (4x)
Gereyli
Ta Tan Tan Tan (4x)
Gerâieli
Ta Tan Tan Tan (4x)
Shahnâz
Traditional Melodic Pattern
……………………………. Shahnâz
Traditional Melodic Pattern
Zirkesh-Salmak,
Hazin, Forud

Traditional Melodic Pattern
Zirkesh Salmak
Traditional Melodic Pattern
Shahrâshub
Traditional Melodic Pattern
Shahrâshub
Traditional Melodic Pattern
Razavi Tahrir-e
Javâd-Khâni

Traditional Melodic Pattern
Ruh-ol Arvâh

Ruh-ol Arvâh

Do-Beyti
Ta Tan Tan Tan (4x)
Do-Beyti
Ta Tan Tan Tan (2x) / Ta Tan Tan
Forud

Dashtestâni

Tangsiri

Ozzâl

Kuchak, Bozorg

Kuchek, Bozorg

Bozorg
Tan Ta Tan / Ta Tan Tan Tan (2x)
Razavi, Forud

Forud

Kord-o Bayât

Masnavi
Tan Ta Tan Tan (2x) /
Tan Ta Tan

Masnavi
Tan Ta Tan Tan (2x) /
Tan Ta Tan

Masnavi
Tan Ta Tan Tan (2x) /
Tan Ta Tan