Âvâz-e Dashti in Pish-Radif

– In the following table, all the Dângs and Pângs of the open Gushehs in Âvâz-e Dashti are notated.
– Each of the Dângs and Pângs are played on Târ.
– In some Gushehs we go to higher notes during the descending movement (Forud) which are not considered as part of the Dâng or Pâng of that Gusheh.
Pish-Radif includes all the open Gushehs of each Dastgâh and Âvâz, while each lesson is only based on one closed Gusheh which is introducing all the musical atmospheres of all the open Gushehs as one of the eleven lessons of Pish-Radif.

Note:
Not-e Shâhed of Darâmad of Âvâz-e Dashti is variable. This is an exception in classical Persian music.

Legend:
S = Not-e Shâhed (Central note)
I = Not-e Ist (Final note)
IM = Not-e Ist-e Movaghat (Temporary final note)
M = Not-e Motoghayyer (Variable note)
Screen Shot 2020-03-26 at 5.23.08 PM= Ascending
Screen Shot 2020-03-26 at 5.24.49 PM= Descending
In some cases, one note is used as S and I

Âvâz-e Dashti in Three Different Vocal Radifs

– In the following tables, we have all the open and closed Gushehs from three vocal Radifs of three master musicians, Hassan Kassâie, Mahmoud Karimi and Abdollah Davâmi.
– In different Radifs, there may be more than one Darâmad and most of the times, they are labeled as first, second, etc., But sometimes based on the melodic contour of them, they adopt a new name or an adjective that refers to their relative Gusheh.
– Normally closed Gusheh of Masnavi is coming at the end of each Radif.

Notes:
* Bayât-e Râjeh in the Radif of Kassâie is an exception that is considered as an open Gusheh in Âvâz-e Dashti.
** There are some Gushehs in the Radif of Isfahan and Tehran which have different names like Kâshi and Chupâni in Âvâz-e Dashti with the same traditional melodic patterns.
*** Gereyli is considered as one of the closed Gushehs in Dastgâh-e Shur and having it in the Radif of Kassâie in Âvâz-e Dashti is another exception.
**** Some of the closed Gushehs are a part of the different systems of Dastgâhs and Âvâzes in different Radifs such as Ghamangiz, which is considered as a closed Gusheh in Âvâz-e Dashti in the Radifs of Karimi and Davâmi and a closed Gusheh in Âvâz-e Abu-Atâ in the Radif of Kassâie.
***** Kord-o Bayât is an Âvâz in the Radif of Davâmi. However, it is considered as a closed Gusheh in the Radif of Kassâie.

Open Gushehs of Âvâz-e Dashti

Closed Gushehs and Their Poetic Rhythms of Âvâz-e Dashti

Pish-Radif
1 Gusheh
Radif-e Ney of Kassâie
7 Gushehs
Vocal Radif of Kassâie
8 Gushehs
Radif of Karimi
8 Gushehs
Radif of Davâmi
4 Gushehs
Dashtestâni
Ta Tan Tan Tan (2x) / Ta Tan Tan
 Dashtestâni
& Hâjiâni
Ta Tan Tan Tan (2x) / Ta Tan Tan
……………………………. ……………………………. ……………………………. ……………………………. Hâjiâni
Ta Tan Tan Tan (2x) / Ta Tan Tan
Kuch
Traditional Melodic Patterns
…………………………….
Lori
Ta Tan Tan Tan (2x) / Ta Tan Tan
Lori
Ta Tan Tan Tan (2x) / Ta Tan Tan
Kâshi
Ta Tan Tan Tan (2x) / Ta Tan Tan
Kâshi **
Ta Tan Tan Tan (2x) / Ta Tan Tan
Gilaki
Ta Tan Tan Tan (2x) / Ta Tan Tan
Gilaki
Ta Tan Tan Tan (2x) / Ta Tan Tan
Gilaki
Ta Tan Tan Tan (2x) / Ta Tan Tan
Gilaki
Ta Tan Tan Tan (2x) / Ta Tan Tan
Chupâni **
Ta Tan Tan Tan (2x) / Ta Tan Tan
Deylamân
Ta Tan Tan Tan (2x) / Ta Tan Tan
Deylamân
Ta Tan Tan Tan (2x) / Ta Tan Tan
 Gereyli ***
Ta Tan Tan Tan (4x)
 Busalik
Ta Tan Ta Tan / Ta Ta Tan Tan /
Ta Tan Ta Tan / Tan Tan
 Ghamangiz
Ta Tan Tan Tan (2x) / Ta Tan Tan
 Ghamangiz ****
Ta Tan Tan Tan (2x) / Ta Tan Tan
 Ghamangiz
Ta Tan Tan Tan (2x) / Ta Tan Tan
Bidgoli
Ta Tan Tan Tan (2x) / Ta Tan Tan
Bidekâni
Ta Tan Tan Tan (2x) / Ta Tan Tan
 Kord-o Bayât *****
Ta Ta Tan Tan (3x) / Ta Ta Tan
Forud-Sabali
Traditional Melodic Patterns
 Masnavi
Tan Ta Tan Tan (2x) / Tan Ta Tan
 Masnavi
Tan Ta Tan Tan (2x) / Tan Ta Tan
 Masnavi
Tan Ta Tan Tan (2x) / Tan Ta Tan