– In the following table, all the Dângs and Pângs of the open Gushehs in Âvâze Dashti are notated.
– Each of the Dângs and Pângs are played on Târ.
– In some Gushehs we go to higher notes during the descending movement (Forud) which are not considered as part of the Dâng or Pâng of that Gusheh.
– PishRadif includes all the open Gushehs of each Dastgâh and Âvâz, while each lesson is only based on one closed Gusheh which is introducing all the musical atmospheres of all the open Gushehs as one of the eleven lessons of PishRadif.
Note:
Note Shâhed of Darâmad of Âvâze Dashti is variable. This is an exception in classical Persian music.
Legend:
S = Note Shâhed (Central note)
I = Note Ist (Final note)
IM = Note Iste Movaghat (Temporary final note)
M = Note Motoghayyer (Variable note)
= Ascending
= Descending
In some cases, one note is used as S and I
– In the following tables, we have all the open and closed Gushehs from three vocal Radifs of three master musicians, Hassan Kassâie, Mahmoud Karimi and Abdollah Davâmi.
– In different Radifs, there may be more than one Darâmad and most of the times, they are labeled as first, second, etc., But sometimes based on the melodic contour of them, they adopt a new name or an adjective that refers to their relative Gusheh.
– Normally closed Gusheh of Masnavi is coming at the end of each Radif.
Notes:
* Bayâte Râjeh in the Radif of Kassâie is an exception that is considered as an open Gusheh in Âvâze Dashti.
** There are some Gushehs in the Radif of Isfahan and Tehran which have different names like Kâshi and Chupâni in Âvâze Dashti with the same traditional melodic patterns.
*** Gereyli is considered as one of the closed Gushehs in Dastgâhe Shur and having it in the Radif of Kassâie in Âvâze Dashti is another exception.
**** Some of the closed Gushehs are a part of the different systems of Dastgâhs and Âvâzes in different Radifs such as Ghamangiz, which is considered as a closed Gusheh in Âvâze Dashti in the Radifs of Karimi and Davâmi and a closed Gusheh in Âvâze AbuAtâ in the Radif of Kassâie.
***** Kordo Bayât is an Âvâz in the Radif of Davâmi. However, it is considered as a closed Gusheh in the Radif of Kassâie.
PishRadif 2 Gushehs 
Radife Ney of Kassâie 4 Gushehs 
Vocal Radif of Kassâie 3 Gushehs 
Radif of Karimi 2 Gushehs 
Radif of Davâmi 2 Gushehs 

Darâmad  
Oshâgh / Odj  
…………………………….  …………………………….  Bayâte Râjeh *  
Sâranj  …………………………….  …………………………….  ……………………………. 
PishRadif 1 Gusheh 
Radife Ney of Kassâie 7 Gushehs 
Vocal Radif of Kassâie 8 Gushehs 
Radif of Karimi 8 Gushehs 
Radif of Davâmi 4 Gushehs 

Dashtestâni Ta Tan Tan Tan (2x) / Ta Tan Tan 
Dashtestâni & Hâjiâni Ta Tan Tan Tan (2x) / Ta Tan Tan 

…………………………….  …………………………….  …………………………….  …………………………….  Hâjiâni Ta Tan Tan Tan (2x) / Ta Tan Tan 
Kuch Traditional Melodic Patterns 
…………………………….  
Lori Ta Tan Tan Tan (2x) / Ta Tan Tan 
Lori Ta Tan Tan Tan (2x) / Ta Tan Tan 

Kâshi Ta Tan Tan Tan (2x) / Ta Tan Tan 
Kâshi ** Ta Tan Tan Tan (2x) / Ta Tan Tan 

Gilaki Ta Tan Tan Tan (2x) / Ta Tan Tan 
Gilaki Ta Tan Tan Tan (2x) / Ta Tan Tan 
Gilaki Ta Tan Tan Tan (2x) / Ta Tan Tan 
Gilaki Ta Tan Tan Tan (2x) / Ta Tan Tan 

Chupâni ** Ta Tan Tan Tan (2x) / Ta Tan Tan 

Deylamân Ta Tan Tan Tan (2x) / Ta Tan Tan 
Deylamân Ta Tan Tan Tan (2x) / Ta Tan Tan 

Gereyli *** Ta Tan Tan Tan (4x) 

Busalik Ta Tan Ta Tan / Ta Ta Tan Tan / Ta Tan Ta Tan / Tan Tan 

Ghamangiz Ta Tan Tan Tan (2x) / Ta Tan Tan 
Ghamangiz **** Ta Tan Tan Tan (2x) / Ta Tan Tan 
Ghamangiz Ta Tan Tan Tan (2x) / Ta Tan Tan 

Bidgoli Ta Tan Tan Tan (2x) / Ta Tan Tan 

Bidekâni Ta Tan Tan Tan (2x) / Ta Tan Tan 

Kordo Bayât ***** Ta Ta Tan Tan (3x) / Ta Ta Tan 

ForudSabali Traditional Melodic Patterns 

Masnavi Tan Ta Tan Tan (2x) / Tan Ta Tan 
Masnavi Tan Ta Tan Tan (2x) / Tan Ta Tan 
Masnavi Tan Ta Tan Tan (2x) / Tan Ta Tan 
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