– In the following table, all the Dângs and Pângs of the open Gushehs in Âvâz-e Abu-Atâ are notated.
– Each of the Dângs and Pângs are played on Târ.
– In some Gushehs we go to higher notes during the descending movement (Forud) which are not considered as part of the Dâng or Pâng of that Gusheh.
– Pish-Radif includes all the open Gushehs of each Dastgâh and Âvâz, while each lesson is only based on one closed Gusheh which is introducing all the musical atmospheres of all the open Gushehs as one of the eleven lessons of Pish-Radif.
Legend:
S = Not-e Shâhed (Central note)
I = Not-e Ist (Final note)
IM = Not-e Ist-e Movaghat (Temporary final note)
In some cases, one note is used as S and I
| Open Gusheh | Dâng & Pâng | Audio File |
|---|---|---|
| Darâmad |  |
|
| Hejâz |  |
|
| Odj-e Hejâz |  |
|
| Sârang |  |
– In the following tables, we have all the open and closed Gushehs from three vocal Radifs of three master musicians, Hassan Kassâie, Mahmoud Karimi and Abdollah Davâmi.
– In different Radifs, there may be more than one Darâmad and most of the times, they are labeled as first, second, etc., But sometimes based on the melodic contour of them, they adopt a new name or an adjective that refers to their relative Gusheh.
Notes:
– There are some Gushehs that have more than one version in different Radifs. Like Gabri in Radif of Kassâie or Râmkali and Khosrow-o Shirin in Radif of Karimi.
| Pish-Radif 4 Gushehs |
Radif-e Ney of Kassâie 7 Gushehs |
Vocal Radif of Kassâie 3 Gushehs |
Radif of Karimi 2 Gushehs |
Radif of Davâmi Tar M.R. Lotfi 2 Gushehs |
|---|---|---|---|---|
| Darâmad | Darâmad (Dastân) …………………………… |
Darâmad (Dastân-ol Arab) |
Darâmad (Dastân-ol Arab) |
Darâmad (Dastân-ol Arab) |
| Hejâz | ||||
| Odj-e Hejâz | ||||
| Sârang | ||||
| …………………………… | Rahâvi |
…………………………… | …………………………… | …………………………… |
| Pish-Radif 1 Gusheh |
Radif-e Ney of Kassâie 21 Gushehs |
Vocal Radif of Kassâie 10 Gushehs |
Radif of Karimi 7 Gushehs |
Radif of Davâmi Tar M.R. Lotfi 4 Gushehs |
|---|---|---|---|---|
| Châhâr-Pâreh Ta Ta Tan Ta Tan (4x) |
Châhâr-Pâreh or Châhâr-Bâgh Ta Ta Tan Ta Tan (4x) |
…………………………… | Châhâr-Pâreh or Châhâr-Bâgh Ta Ta Tan Ta Tan (4x) |
Châhâr-Pâreh Ta Ta Tan Ta Tan (4x) |
| Ashirân Traditional Melodic Patterns |
||||
| Basteh Negâr Traditional Melodic Patterns |
||||
| …………………………… | Sayakhi Ta Tan Tan Tan (4x) |
Sayakhi Ta Tan Tan Tan (4x) |
Sayakhi Ta Tan Tan Tan (4x) |
|
| Râmkelli Tan Tan / Ta Tan Ta Tan / Ta Ta Tan Tan / Ta Tan Ta Tan ……………………………. |
Râmkelli Tan Tan / Ta Tan Ta Tan / Ta Ta Tan Tan / Ta Tan Ta Tan |
Râmkali 1-2 Ta Tan Ta Tan / Ta Ta Tan Tan / Ta Tan Ta Tan / Tan Tan Tan Tan / Ta Tan Ta Tan / Ta Ta Tan Tan / Ta Tan Ta Tan |
Râmkali Ta Tan Ta Tan / Ta Ta Tan Tan / Ta Tan Ta Tan / Tan Tan |
|
| Khosrow-o Shirin Ta Tan Tan Tan (2x) / Ta Tan Tan |
Khosrow-o Shirin Ta Tan Tan Tan (2x) / Ta Tan Tan |
Khosrow-o Shirin 1-2 Ta Tan Tan Tan (2x) / Ta Tan Tan Ta Tan Tan Tan (2x) / Ta Tan Tan |
Khosrow-o Shirin Ta Tan Tan Tan (2x) / Ta Tan Tan |
|
| Shirin-o Farhâd Ta Tan Tan Tan (2x) / Ta Tan Tan |
||||
| Gabri or Guri Tan Tan Ta / Ta Tan Ta Tan/ Ta Tan Tan |
Gabri Tan Tan Ta / Ta Tan Ta Tan/ Ta Tan Tan |
Gavri Ta Tan Tan Tan (2x) / Ta Tan Tan |
Gabri Ta Tan Tan Tan (2x) / Ta Tan Tan |
|
| Sadri or Nahvi Tan Tan / Ta Tan Tan / Ta Tan Tan |
Sadri Tan Tan / Ta Tan Tan / Ta Tan Tan |
…………………………… | …………………………… | |
| Samali Traditional Melodic Patterns |
||||
| Yatimak Tan Ta Tan / Tan Ta Ta Tan / Tan Ta Ta Tan / Tan Tan Tan Sâranj dar Yatimak |
Yatimak Tan Ta Tan / Tan Ta Ta Tan / Tan Ta Ta Tan / Tan Tan Tan ……………………………Sâranj dar Yatimak |
|||
| Sabali Traditional Melodic Patterns |
||||
| Hozzân Traditional Melodic Patterns |
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| Shekasteh Bakhtiâri Ta Tan Tan Tan (2x) / Ta Tan Tan |
||||
| Gusheh-ye Safâ Ta Tan Ta Tan Tan (4x) |
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| Râk-e Abdollâh Tan Ta Tan / Tan Ta Ta Tan / Tan Ta Ta Tan / Tan Tan Tan |
||||
| Hasan Musâ Ta Tan Tan (3x) / Ta Tan |
Hasan Musâ Ta Tan Tan (3x) / Ta Tan |
|||
| Ghamangiz Ta Tan Tan Tan (2x) / Ta Tan Tan |
Ghamangiz Ta Tan Tan Tan (2x) / Ta Tan Tan |
|||
| Bâl-e Kabutar Traditional Melodic Patterns |
||||
| Masnavi Tan Ta Tan Tan (2x) / Tan Ta Tan |
Masnavi Tan Ta Tan Tan (2x) / Tan Ta Tan |
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